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For Immediate Release MEXICAN SURREALIST
GUNTHER GERZSO TO BE HONORED WITH OCTOBER 12 - NOVEMBER 11, 2000
New York, NY - Mexico's celebrated "abstract surrealist" painter, Gunther Gerzso (1915-2000), will be the focus of a memorial exhibition of 40 paintings and drawings at Mary-Anne Martin/Fine Art from October 12 through November 11, 2000. Many of the works in the exhibition are from the prestigious collection of Jacques and Natasha Gelman, whose 20th century European paintings were recently bequeathed to The Metropolitan Museum of Art. A complete color illustrated catalogue is available. Gunther Gerzso, In His Memory will emphasize the artist's mature paintings from the 1950s and 60s, when many of his best-known works were produced. Rare examples from Gerzso's formative years in the late 30s and 40s will also be included. The artist's early artistic influences were European classicism and surrealism, the latter derived first-hand as André Breton, Remedios Varo, Leonora Carrington, Wolfgang Paalen and Benjamin Péret all arrived in Mexico in the early 1940's, when Gerzso was just beginning to paint. He was immediately taken into their circle, and before long he developed a sensuous personal abstract vocabulary, stemming from surrealism but inspired by pre-Columbian art and the archeology of Mexico. In 1983, British scholar
and author John Golding wrote in Gunther Gerzso and the Landscape of the
Mind: Many of the works in this show come from the extraordinary collection of Jacques and Natasha Gelman. Film producer Gelman was a close friend of the artist for 40 years, and for the first 20 years, Gerzso was closely associated with Gelman as set designer for hundreds of films produced by Gelman in Mexico. Gerzso also worked with Yves Allegret, John Ford and Luis Buñuel and it was during those years when he combed the country for film locations that he developed his passion for the landscape of Mexico. In 1961, Gerzso left the movies to devote himself full-time to painting. He returned to film design only once, when John Huston coaxed him out of retirement in 1983 for his production of Malcolm Lowry's Under the Volcano (Universal 1984), insisting that Gunther Gerzso was the only man in Mexico capable of recreating the authentic ambience of Cuernavaca in 1939. In addition to the Gelman collection, Gerzso's work is included in many important private and public collections including the Art Institute of Chicago (Gifts of Muriel Newman), The Metropolitan Museum of Art, New York and the Museo Carrillo Gil in Mexico City. His work is the subject of monographs by Dore Ashton (1995), Octavio Paz and John Golding (1983) and Luis Cardoza y Aragon (1972). A catalogue raisonné is now in preparation and the Santa Barbara (CA) Museum of Art is organizing a retrospective exhibition, Of Painting and Poetry: The Art of Gunther Gerzso, projected to open there in 2002 and travel to four venues in the United States and Europe, ending in Mexico City, 2003. The Gerzso Estate is represented by Mary-Anne Martin/Fine Art, which has held four Gerzso retrospective shows since 1982 and collaborated with the artist on numerous sculpture and graphics projects. Exhibition dates:
October 12 through November 11, 2000 |